Welcome to the first in a series of articles from us here at The Vestige, about the post-modern stadium rock band a truth called nothing’s rich history. Over the coming months, we will get to know these counter-culture savants in a way that hasn’t been possible before. We will be taking a look at different periods of the band’s production, from the making of some classic albums to the forming of the BOF itself. To help us, we have been given access to an extensive archive of documents, in addition to our interviews with the members and associates of the band.

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